![]() Nevertheless, his forceful playing could be most appropriate, indeed thrilling. His position on this was that yes, he could have heavy hands at times at the keyboard, but when he had them, they were called for. (He was a big guy, standing about 6 feet 2, so he could generate a lot of force.) Brubeck was well aware that he was criticized for this, and always defended himself in a most charming, non-defensive way. ( At left: Dave Brubeck pictured on the cover of Time magazine, November 8, 1954.)īoth Brubeck and Desmond could also swing, though Dave often became so fervid in his playing that he tended to pound the piano keys with his fingers. He was particularly talented in playing ballads, and providing fitting and inspiring accompaniment for Desmond, who was one of the greatest lyrical players in jazz history. The two most prominently featured musicians in the quartet then were Brubeck on piano, and Paul Desmond on alto saxophone. Brubeck was a composer of great ability, and an excellent pianist. ![]() The Dave Brubeck Quartet was one of the most popular groups in jazz from the mid-1950s into the late 1960s. Recorded by the Dave Brubeck Quartet for Columbia Records in New York between September 20 and October 13, 1965.ĭave Brubeck, piano Paul Desmond, alto saxophone Eugene Wright, bass Joe Morello, drums. ![]() Head arrangement by Dave Brubeck Quartet. ![]()
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